Interior Architecture is the design of a space which has been created by structural boundaries and the human interaction within these boundaries. It can also be the initial design and plan for use, then later redesign to accommodate a changed purpose, or a significantly revised design for adaptive reuse of the building shell. The latter is often part of sustainable architecture practices, conserving resources through "recycling" a structure by adaptive redesign. Generally referred to as the spatial art of environmental design, form and practice, interior architecture is the process through which the interiors of buildings are designed, concerned with all aspects of the human uses of structural spaces. Put simply, Interior Architecture is the design of an interior in architectural terms.
Interior Architecture may refer to:
- The practice of an interior architect, where architecture means to offer or render professional services in connection with the design and construction of a building's interior that has as its principal purpose human occupancy or use.
- A general term to describe building interiors and related physical features.
- A style or method of design and construction of building interiors and related physical features.
Evolutions in Interior ArchitectureReal Estate Opportunities were granted to redevelop the Battersea Power Station of England in November 2010 The Battersea Power Station of England has become an iconic structure through adaptive reuse and has been featured in many forms of culture during its more-than-seventy-year-long history. One of the most successful residential reuse projects was Gasometer City, in Vienna Austria. Four immense disused gasometers were successfully revamped in the late ‘90s and have since become famous in the world of adaptive reuse. This unique redevelopment has since become a sought after place to live with a close-knit inner community, and is looked upon as a very successful example of adaptive reuse. The World Food Prize Hall of Laureates, formerly the Des Moines Public Library on the western bank of the Des Moines River in downtown Des Moines, Iowa.
Although the original spatial hierarchy of a building is always established by its first architect, subsequent iterations of the interior may not be, and for obvious reasons, older structures are often modified by designers of a different generation according to society’s changing needs as our cities evolve. This process often re-semanticizes the building as a consequence, and is predicated on the notion that buildings can never really be complete and unalterable.
An altered building may look the same on the exterior, but its interior may be completely different spatially. The interior architect must therefore be sensitive not only to the place of the building in its physical and socio-political context, but to the temporal requirements of changing owners and users. In this sense, if the building has “good bones” the original architectural idea is therefore the first iteration of an internal spatial hierarchy for that structure, after which others are bound to follow
Cities are now dense with such buildings, perhaps originally built as banks that are now restaurants, perhaps industrial mills that are now loft apartments, or even railway stations that have become art galleries. In each case the collective memory of the shape and character of the city is generally held to be more desirable than the possibility of a new building on the same site, although clearly economic forces apply. It is also possible to speculate that there might well be further new interiors for these structures in future years, but for each alteration the technical and technological expertise of the era will determine the extent to which the building is modified in its building life cycle.
Certain structure's interiors remain unaltered over time due to historic preservation, unchanged use, or financial limitations. Nevertheless, most buildings have only three possible long-range internal futures: First, designated significantly important to maintain visually unchanged, only accommodating unseen modern utilities, access, and structural stabilization, and restoration needs. Second, demolished to make way for a new building on the same site, or abandoned, becoming ruins. Finally, redesigned and altered to accommodate new uses.
There are many different degrees of alteration – a minor one to enable the building to conform to new legal codes is likely to prolong the first (or indeed later) iteration of interior space, but a major alteration, such as the retention of only the facade, is to all intents and purposes a new building. All possibilities within and between the two extremes are the domain of the interior architect.
If the practice of Architecture is concerned with the art and science of new building, then the practice of Interior Architecture is concerned with the alteration of existing buildings for new uses.
Median annual wages of wage-and-salary architects were $70, 320 in May 2008. The middle 50 percent earned between $53, 480 and $91, 870. The lowest 10 percent earned less than $41, 320, and the highest 10 percent earned more than $119, 220. Those just starting their internships can expect to earn considerably less.
Earnings of partners in established architectural firms may fluctuate because of changing business conditions. Some architects may have difficulty establishing their own practices and may go through a period when their expenses are greater than their income, requiring substantial financial resources.
Many firms pay tuition and fees toward continuing education requirements for their employees.
Education in interior architecture should include the study of historic architectural and design styles, building codes and safety, preserving and restoring old buildings, drawing plans of original designs, and building physical and virtual (computer-based) models. The field of interior architecture has a lot in common with interior design and decorating; however, it typically focuses on architecture and construction. Students of both fields learn to design comfortable, safe, and useful indoor spaces, from downtown penthouses to high school classrooms. A student of interior architecture will learn about much more than artistic concerns, such as choosing which style of furnishings works well in an open, loft-like apartment. Study will also include information on technical issues, such as seismic retrofitting (making old buildings safe from earthquakes).